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August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". [ 1 ] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle ) , which chronicle the experiences and heritage of the ...
Seven Guitars is a 1995 play by American playwright August Wilson. It focuses on seven African-American characters in the year 1948. It focuses on seven African-American characters in the year 1948. The play begins and ends after the funeral of one of the main characters, showing events leading to the funeral in flashbacks.
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Joe Turner's Come and Gone is the second in a series of August Wilson's The Century Cycle, which chronicled the struggles and lives of African Americans in the 20th century. Joe Turner's Come and Gone is set in the second decade of the 20th century and chronicles the lives of a few freed former enslaved African Americans in the North and deals ...
[6] [7] In addition to Jagger and Richards's songwriting partnership, they have also produced or co-produced numerous Rolling Stones albums under the pseudonym the Glimmer Twins. Similar to the contemporary English songwriting partnership of John Lennon and Paul McCartney , both Jagger and Richards write lyrics and music.
Jitney is a play by American playwright August Wilson. The eighth in his " Pittsburgh Cycle ", this play is set in a worn-down gypsy cab station in Pittsburgh, Pennsylvania , in early autumn 1977. The play premiered on Broadway in 2017.
Two Trains Running is a 1990 play by American playwright August Wilson, the seventh in his ten-part series The Pittsburgh Cycle. The play takes place in 1968 in the Hill District, an African-American neighborhood in Pittsburgh, Pennsylvania. It explores the social and psychological manifestations of changing attitudes toward race from the ...
Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Century Cycle by August Wilson – that chronicles the 20th-century African-American experience. The play is set in a recording studio in 1920s Chicago, and deals with issues of race, art, religion, and the historic exploitation of black recording artists by white producers.