Search results
Results from the WOW.Com Content Network
"Medium-specificity is based on the distinct materiality of artistic media." As early as 1776 Gotthold Ephraim Lessing "contends that an artwork, in order to be successful, needs to adhere to the specific stylistic properties of its own medium." [4] Today, the term is used both to describe artistic practices and as a way to analyze artwork.
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
Nolan argued for the artistic merits of film on the grounds of "medium specificity", which highlights the importance that a work shot on film be presented in its original format, and "medium resistance", that the artist's choice of what medium is used to create a work will further effect choices in how a work is made. [162]
Panofsky begins his essay by identifying two features that distinguish “film art” (see : art cinema) from preceding forms of art: first, film art was the only art whose beginnings were witnessed by people alive at the time of the essay’s composition (1934); second, whereas preceding arts were formed by “an artistic urge that gave rise to the discovery and gradual perfection of a new ...
Film style and film genre should not be confused; they are different aspects of the medium. Style is the way a movie is filmed, as in the techniques that are used in the production process. Genre is the category a film is placed in regarding the narrative elements. [ 7 ]
It examines new complications in the medium's site-specificity, given the increase of video sharing and distribution outside the movie theater setting. Suderburg has taught at Otis College of Art and Design, the California Institute of the Arts, and Pasadena's Art Center College of Design. As of 2013, she is a professor at the University of ...
Unfilmability is a type of medium specificity which prevents a work of literature from undergoing successful film or television adaptation. A wide variety of considerations can lead to a work being seen as unfilmable.
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), [1] occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.