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The Hundred Manhua Poems: 1983: 漫畫詩一百首: Nam Hui-man Ngau-chai Collection: 1983: 牛仔: Wong Sze-ma Manhua by Lee Dak-hong: 1984: 李建康漫畫: Lee Dak-long Onion Head Manhua Series: 1984: 洋蔥頭漫畫系列: Lam Chun-keung Yuk-long Manhua Biweekly: 1984: 玉郎漫畫: Kie Man-kin, Wong Yuk-long (黃玉郎) Theater of 1997: ...
Viet comics (Vietnamese: Truyện tranh Việt), also known as mạn họa (Sino-Vietnamese for manhua, Chinese: 漫畫), are comics or graphic novels originating from Vietnam. The term Viet comics was firstly introduced by Floral Age Bimonthly (Bán nguyệt san Tuổi Hoa) magazine in 1960 in Saigon. [1]
Saint (Chinese: 大聖王; pinyin: Dàshèng wáng; lit. 'The Great Saint King') is a manhua by Hong Kong comics artist Khoo Fuk Lung.It follows the life and adventures of Sun Wukong, the monkey king from the 16th century novel Journey to the West.
The story is set during the first years of the First Indochina War.Mừng, a 12-year-old boy, illegally enters the war-torn city of Huế and sneaks into the then-Trần Cao Vân Regiment consisting of 30 boys around the same age as him, training to be spies and scouts.
A 20-episode-long prequel, The Blood Sword 2, was released a year later, with most of the cast members in the first season reprising their roles. In 2005, Taiwanese producer Yang Peipei released a 40-episode television series based on the manhua.
The King of Blaze, also known as Fire King (Chinese: 火王; pinyin: Huǒwáng; Wade–Giles: Huo 3-Wang 2; Zhuyin Fuhao: ㄏㄨㄛˇ ㄨㄤˊ; lit. 'Fire King' or 'The King of Fire'; Dutch: De Brand Koning [note 1]), is a Taiwanese comic book series (called manhua in Taiwan) written and illustrated by the comic artist You Su-lan [], serialized in Gong Juu Comics (Princess Comic Magazine ...
The word manhua was originally an 18th-century term used in Chinese literati painting.It became popular in Japan as manga in the late 19th century. Feng Zikai reintroduced the word to Chinese, in the modern sense, with his 1925 series of political cartoons entitled Zikai Manhua in the Wenxue Zhoubao (Literature Weekly).
Set in a fictional ancient China, during the Yin dynasty, the fantastic world of Hoshin Engi encompass both the pre-historical world—in which primitive human society coexist with the revered divine gods and goddesses—and the futuristic world—in which highly technological weaponry, combat strategy, as well as futuristic visions, are employed.