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The Heinz dilemma is a frequently used example in many ethics and morality classes. One well-known version of the dilemma, used in Lawrence Kohlberg's stages of moral development, is stated as follows: [1] A woman was on her deathbed. There was one drug that the doctors said would save her.
Wild Rose is the soundtrack to the 2018 British film of the same name, released by Island Records on 12 April 2019.. The album features both original songs written exclusively for the film and covers of songs by established country artists such as Emmylou Harris, Wynonna Judd, Chris Stapleton, Hank Snow, and folk artists John Prine and Patty Griffin, as well as indie rock band Primal Scream. [1]
Pink Floyd The Wall (1982) – hashish; this film is often considered a drug-induced movie (LSD, psychedelics) Pirates of Silicon Valley (1999) – cannabis, LSD; The Place Beyond the Pines (2012) - cannabis, MDMA, oxycontin; Platoon (1986) – cannabis, and opium; Platoon Leader (1988) – heroin; Playing God (1997) – fentanyl, morphine and ...
Excess Baggage is a 1997 American crime comedy film, written by Max D. Adams, Dick Clement, and Ian La Frenais, and directed by Marco Brambilla about a neglected young heiress who stages her own kidnapping to get her father's attention, only to be actually kidnapped by a car thief.
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John Wetton, lead singer of the rock group Asia, sang "Winner Takes It All" for the movie, but after performing the song, it was felt that his voice wasn't "mean" enough, so the track was offered to Hagar, whose version, featuring a bass guitar solo by Hagar's then-bandmate Eddie Van Halen, ended up being the one on the soundtrack. Asia is ...
Green Day have shared “Dilemma,” the third single from their upcoming album Saviors. The song arrives with a new Ryan Baxley-directed video, in which singer Billie Joe Armstrong is passed out ...
Medicine Music is a studio album by Bobby McFerrin, released in 1990. [6] [7] The album reached number 146 on the Billboard 200 and number 2 on the Top Contemporary Jazz Albums chart. [8] [9] The album was nominated for a 1991 Grammy Award, in the "Best Contemporary Jazz Performance" category. [10]