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Sakineh Mohammadi Ashtiani (Persian: سکینه محمدی آشتیانی; born 1967) is an Iranian woman convicted of conspiracy to commit murder and adultery.She gained international notoriety for originally being sentenced to death by stoning for her crimes.
Stoning, or lapidation, is a method of capital punishment where a group throws stones at a person until the subject dies from blunt trauma. It has been attested as a form of punishment for grave misdeeds since ancient times. Stoning appears to have been the standard method of capital punishment in ancient Israel [citation needed]. Its use is ...
The Stoning of Soraya M. (Persian: .سنگسار ثريا م, romanized: Sangsār-e Sorayā M.) is a 2009 Persian-language American drama film adapted from French-Iranian journalist Freidoune Sahebjam's 1990 book La Femme Lapidée.
Santouri (known as The Music Man; Persian: سنتوری, also Romanized as Santoori) with the previous name of Ali Santouri is a 2007 Iranian musical drama film directed by Dariush Mehrjui dealing with the life of a santour player named Ali Bolourchi. The film's title, "Santouri" refers to one who can play the santour instrument
Stoning. Stoning is the form of execution for only one crime in Iran - adultery. [81] From 1980 to 2009 150 people were reportedly stoned to death in Iran, [citation needed] but in 2002, authorities placed a moratorium on this form of execution. [81] As of 2018, women were still being sentenced to stoning in Iran. [82]
Stoning to death is controversial in Iran, and often used against women. In 2010 there was strong international criticism of Iran because of the case of Sakineh Mohammadi Ashtiani. Ashtiani was freed in March 2014, after nine years on death row. [5] Another Iranian woman, Fariba Khalegi, is believed to be in prison and in danger of stoning. [4]
Peyman Yazdanian (Persian: پیمان یزدانیان, born in 1968) is an Iranian pianist and music composer. He has written over forty pieces for solo piano and has composed for both national and foreign feature films. He wrote original soundtracks for plays and multimedia.
Kiosk's music has been described by BBC World as "songs that speak to a generation...Kiosk's stinging political satire is hidden within its blues and folksy sound." [9] Haaretz has referred to Kiosk as the most popular Iranian rock band in the Iranian diaspora, [10] while Ahram Online describes how the band gives a voice to their generation. [11]