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"Lay Me Down" is a song by English singer Sam Smith, released on 15 February 2013 as the lead single from their debut studio album In the Lonely Hour (2014). [1] It originally peaked at number 46 on the UK Singles Chart and at number 25 on the US Bubbling Under Hot 100 Singles chart in 2014.
Some pop songs borrow its chord progression, bass line, or melodic structure, a phenomenon attributed to the memorability and simplicity of the work. The Canon also shares roots with other, more significant chord progressions that lay the foundations of modern pop music. Its perceived ubiquity is itself an object of cultural discussion.
"Lay Me Down" is a 2010 single by reggae rock band Dirty Heads featuring Rome Ramirez of Sublime with Rome. The song appears as a bonus track on the band's album Any Port in a Storm , and has peaked at number one on the Billboard Alternative Songs chart.
"Lay Me Down" (Avicii song), 2013 "Lay Me Down" (The Dirty Heads song), 2010 "Lay Me Down" (Pixie Lott song), 2014 "Lay Me Down" (Sam Smith song), 2013 "Lay Me Down", by David Crosby and Graham Nash from their album Crosby & Nash, 2004
Gi'ed me her promise true. Gi'ed me her promise true - Which ne'er forgot will be, And for bonnie Annie Laurie I'd lay me down and dee. Her brow is like the snaw-drift, Her neck is like the swan, Her face it is the fairest, That e'er the sun shone on. That e'er the sun shone on - And dark blue is her e'e, And for bonnie Annie Laurie I'd lay me ...
[2] “157 Riverside Avenue” and “Lay Me Down” were subsequently recorded on the live album Live: You Get What You Play For. “157 Riverside Avenue” and “Sophisticated Lady” were both featured on the compilation album A Decade of Rock and Roll: 1970-1980.
During the same period that Ornstein was introducing tone clusters to the concert stage, Ives was developing a piece with what would become the most famous set of clusters: in the second movement, "Hawthorne", of the Concord Sonata (c. 1904–1915, publ. 1920, prem. 1928, rev. 1947), mammoth piano chords require a wooden bar almost fifteen ...
Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing.
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