Search results
Results from the WOW.Com Content Network
"Lay Me Down" is a 2010 single by reggae rock band Dirty Heads featuring Rome Ramirez of Sublime with Rome. The song appears as a bonus track on the band's album Any Port in a Storm , and has peaked at number one on the Billboard Alternative Songs chart.
"Lay Me Down" is a song by English singer Sam Smith, released on 15 February 2013 as the lead single from their debut studio album In the Lonely Hour (2014). [1] It originally peaked at number 46 on the UK Singles Chart and at number 25 on the US Bubbling Under Hot 100 Singles chart in 2014.
A FuniChar D-616 guitar with a Drop D tuning. It has an unusual additional fretboard that extends onto the headstock. Most guitarists obtain a Drop D tuning by detuning the low E string a tone down. This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open ...
"Lay Down" is a single by the Strawbs which reached No. 12 in the UK Singles Chart in October 1972 - their first hit. [1] It was included on their 1973 album Bursting at the Seams . The lyrics are loosely based on the 23rd Psalm in the Old Testament and the song was widely considered to be writer Dave Cousins 's most commercial and radio ...
"Lay Me Down" (Avicii song), 2013 "Lay Me Down" (The Dirty Heads song), 2010 "Lay Me Down" (Pixie Lott song), 2014 "Lay Me Down" (Sam Smith song), 2013 "Lay Me Down", by David Crosby and Graham Nash from their album Crosby & Nash, 2004
"Lay Me Down" is a song by Swedish DJ and record producer Avicii. Written by Avicii, Ash Pournouri, Nile Rodgers and Adam Lambert, the track appears on Avicii's debut studio album, True (2013). American singer-songwriter Adam Lambert also provides vocals for the track, while Nile Rodgers provides guitar backing. The track was released as the ...
"Try to see the good in people." "Come on − he can't be that bad." "You should be grateful to even be in a relationship." If you've heard these phrases before, chances are you've been bright sided.
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).