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  2. Quintuple meter - Wikipedia

    en.wikipedia.org/wiki/Quintuple_meter

    The slow quintuple tāla, called Jhampā is from the formal system, and consists of a pattern of 7+1+2 beats; the fast quintuple tāla is called khaṇḍa Cāpu or ara Jhampā, and consists of 2+1+2 beats. However, the pattern of beats marking the rotation of the cycle does not necessarily indicate the internal rhythmic organization.

  3. Salsa (musical structure) - Wikipedia

    en.wikipedia.org/wiki/Salsa_(musical_structure)

    The most fundamental rhythmic element in salsa music is a pattern and concept known as clave. Clave is a Spanish word meaning ' code ,' 'key,' as in key to a mystery or puzzle, or ' keystone ,' the wedge-shaped stone in the center of an arch that ties the other stones together. [ 2 ]

  4. Boogie - Wikipedia

    en.wikipedia.org/wiki/Boogie

    Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916.

  5. Rhythm - Wikipedia

    en.wikipedia.org/wiki/Rhythm

    A composite rhythm is the durations and patterns (rhythm) produced by amalgamating all sounding parts of a musical texture. In music of the common practice period , the composite rhythm usually confirms the meter , often in metric or even-note patterns identical to the pulse on a specific metric level.

  6. Tihai - Wikipedia

    en.wikipedia.org/wiki/Tihai

    Each "4" represents a rhythmic pattern that is 4 beats long, and each "2" represents a rest that is 2 beats long. (4+2+4+2+4 = 6+6+4 = 12+4 = 16). The start of the next phrase fall exactly on the downbeat. • Another example of Anagat Tihai in a 16 beat phrase might be 2 5 2 5 2 : Two beats of rhythm with 5 beats of rest between them.

  7. Teental - Wikipedia

    en.wikipedia.org/wiki/Teental

    It is symmetrical and presents a very simple rhythmic structure against which a performance can be laid. It is of 16 beats with 4/4/4/4/ pattern and 4 divisions.There are 3 claps( tali ) and 1 gap( khali ).

  8. Takadimi - Wikipedia

    en.wikipedia.org/wiki/Takadimi

    Takadimi is a system devised by Richard Hoffman, William Pelto, and John W. White in 1996 in order to teach rhythm skills. Takadimi, while utilizing rhythmic symbols borrowed from classical South Indian carnatic music, differentiates itself from this method by focusing the syllables on meter and western tonal rhythm.

  9. Duple and quadruple metre - Wikipedia

    en.wikipedia.org/wiki/Duple_and_quadruple_metre

    Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a primary division of 2 beats to the bar, usually indicated by 2 and multiples or 6 and multiples in the upper figure of the time signature, with 2