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Rideau, Cruchon et Compotier (English: Curtain, Jug and Fruit Bowl) is an oil on canvas painting created c. 1893 to 1894 by French artist Paul Cézanne. It is a formal still life composition that displays Cézanne's exploration of form, balance and symmetry in objects.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain .
Still life photography is a genre of photography used for the depiction of inanimate subject matter, typically a small group of objects. Similar to still life painting, it is the application of photography to the still life artistic style. [1] Tabletop photography, product photography, food photography, found object photography etc. are ...
The notname he has been given derives from his work, "Natura morta con vaso di fiori, frutta e frutti del campo" (Still-life with a Flower Vase, Fruit and Fruit of the Fields), which is currently in New York at the Acquavella Galleries. Based on an analysis of style, technique and materials, several other works have been assigned to the same ...
English: Still Life with Basket of Fruit, Vase with Carnations, and Shells on a Table (1650-1652) by Giovanna Garzoni, on display in the National Museum of Women in the Arts, Washington, D.C. Date 8 November 2023, 10:54:03
Still life of game in a forest. Abraham Mignon or Minjon [1] (21 June 1640 – 27 March 1679), was a still life painter. [2] He is known for his flower pieces, still lifes with fruit, still lifes in forests or grottoes, still lifes of game and fish as well as his garland paintings. [3]
Fruit and Flowers is a black and white photograph by English photographer Roger Fenton, taken in 1860. It was part of the still lives series that Fenton did at the Summer of that year, and would be some of his final photographic work, shortly before be leave this activity, in 1862.