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"Modern Woman" is a song performed by Billy Joel from his album The Bridge. It was the album's lead-off single and was featured on the soundtrack to the film Ruthless People. In the film, the song removes an instrumental break present in the original. It was a Top 10 hit on Billboard Hot 100 chart in 1986.
The novel was first published in 1894 and is an example of the "New Woman" genre of late-Victorian England. [1] The life of the protagonist, Mary Erle, loosely follows that of Hepworth Dixon: both the author and the character turned to journalism as a way of sustaining themselves after the death of their fathers.
The Story of a Modern Woman Ella Hepworth Dixon (27 March 1857 – 12 January 1932) was an English author and editor who wrote under the pen name Margaret Wynman . Her best-known work is the New Woman novel The Story of a Modern Woman , [ 1 ] which has been reprinted in the 21st century.
First Edition, with dust cover. Modern Woman: The Lost Sex is a 1947 work of scientific literature written by Ferdinand Lundberg and Marynia F. Farnham, M.D. which discusses the sociological and psychological context of American women in the post World War II era.
An Imperfect Murder (also known as The Private Life of a Modern Woman) is a 2017 American drama film written and directed by James Toback. It was screened out of competition at the 74th Venice International Film Festival. [1] The film was released in limited theaters and on VOD in the United States on October 9, 2020 by Quiver Distribution.
The woman's magazine was a novelty at this time, and the modern girl was the model consumer, someone more often found in advertisements for cosmetics and fashion than in real life. The all-female Takarazuka Revue , established in 1914, [ 4 ] and the novel Naomi (1924) are outstanding examples of modern girl culture.
' woman-person ') whereas ' man ' was wer or wǣpnedmann (from wǣpn ' weapon; penis '). However, following the Norman Conquest, man began to mean ' male human ', and by the late 13th century it had largely replaced wer. [11] The consonants /f/ and /m/ in wīfmann coalesced into the modern woman, while wīf narrowed to specifically mean a ...
Women artists became "increasingly vocal and confident" in promoting women's work, and thus became part of the emerging image of the educated, modern and freer "New Woman". [ 26 ] In the late 19th century, Charles Dana Gibson depicted the "New Woman" in his piece, The Reason Dinner was Late , which shows a woman painting a policeman.