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Belles-lettres (French pronunciation: [bɛl lɛtʁ]) is a category of writing, originally meaning beautiful or fine writing.In the modern narrow sense, it is a label for literary works that do not fall into the major categories such as fiction, poetry, or drama.
Institut de France in Paris, the seat of the Académie des Inscriptions et Belles-Lettres. The Académie originated in 1663 as a council of four humanists, "scholars who were the most versed in the knowledge of history and antiquity": Jean Chapelain, François Charpentier, Jacques Cassagne, Amable de Bourzeys, and Charles Perrault. [1]
Calligraphy (from Ancient Greek καλλιγραφία (kalligraphía) 'beautiful writing') is a visual art related to writing.It is the design and execution of lettering with a pen, ink brush, or other writing instrument.
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
word for word and letter by letter: verbi divini minister: servant of the Divine Word: A phrase denoting a priest. Cf. "Verbum Dei" infra. verbi gratia (v. gr. or v. g.) for example: Literally, "for the sake of a word". Verbum Dei: Word of God: See religious text. Verbum Domini lucerna pedibus nostris: The word of the Lord [is] a light for our feet
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
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Carolingian minuscule was used to produce many of the manuscripts from monasteries until the eleventh century and most lower-case letters of today's European scripts derive from it. [14] Gothic or black-letter script, evolved from Carolingian, became the dominant handwriting from the twelfth century until the Italian Renaissance (1400–1600 AD).
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