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William-Adolphe Bouguereau (French pronunciation: [wiljam adɔlf buɡ(ə)ʁo]; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. [ 1 ]
Mythological paintings by William-Adolphe Bouguereau (9 P) Pages in category "Paintings by William-Adolphe Bouguereau" The following 25 pages are in this category, out of 25 total.
The Virgin of the Lilies (French: La Vierge au lys), also known as The Madonna of the Lilies, is an 1899 oil painting by the French artist William-Adolphe Bouguereau, now owned by a private owner. [1] Its dimensions are 27 × 18.5 cm. [2]
The Virgin with Angels (French: La Vierge aux anges), also known as The Song of the Angels is an oil painting executed in 1881 by the French artist William-Adolphe Bouguereau. Its dimensions are 213.4 × 152.4 cm. [1] It is now in the Forest Lawn Museum in Glendale, California. [2]
Gabrielle Cot (French pronunciation: [ɡabʁijɛl kɔt]) [1] is an oil-on-canvas portrait painted in 1890 by William-Adolphe Bouguereau. Gabrielle Cot was the daughter of the French painter Pierre Auguste Cot, the most notable pupil of Bouguereau. This painting was one of the few non-commissioned portraits he ever painted.
William-Adolphe Bouguereau (1825–1905) was a French academic artist who began his career at the École des Beaux-Arts de Paris with depictions of Classical myths and legends, but soon came into demand in France and the United States for portraiture and decorative works.
Shepherds Find Zenobia on the Banks of the Araxes is an 1850 oil-on-canvas painting by the French academic painter William Bouguereau, now in the Beaux-Arts de Paris. [ 1 ] Its subject is drawn from Tacitus 's Histories (XII.51), in which Rhadamistus , king of Armenia, tried to kill his wife Zenobia to prevent her falling into enemy hands and ...
L'Amour et Psyché, enfants is an oil painting executed by the French painter William Adolphe Bouguereau in 1890. It is currently in a private collection. It was displayed in the Salon of Paris in 1890, the year Bouguereau was President of the Société des Artistes Français. [1]
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