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1 Mythologies by region. Toggle Mythologies by region subsection. 1.1 Africa. ... List of world folk-epics; Lists of deities; Lists of legendary creatures; National myth;
Numerous Mesopotamian myths (and one Egyptian myth) are reflected in the primeval history. [13] The myth of Atrahasis, for example, was the first to record a Great Flood, and may lie behind the story of Noah's flood. [14] The following table sets out the myths behind the various Biblical tropes. [15]
According to the New American Bible, the image in Revelation 12:1–6 of a pregnant woman in the sky, threatened by a dragon, "corresponds to a widespread myth throughout the ancient world that a goddess pregnant with a savior was pursued by a horrible monster; by miraculous intervention, she bore a son who then killed the monster". [154]
A basic classification of the types of gods as based on the Motif-Index of Folk-Literature, by Stith Thompson: [1] A0 Creator; A100—A199. The gods in general A101. Supreme God; A104. The Making of the Gods; A107. Gods of Darkness and Light (darkness thought of as evil and light as good). A109.1. Triple deity; A116. Triplet gods; A111.1 ...
The Oxford Companion to World Mythology provides the following summary and examples: [7] [8] Religious stories are "holy scripture" to believers—narratives used to support, explain, or justify a particular system's rituals, theology, and ethics—and are myths to people of other cultures or belief systems.
White, David Gordon, Doniger, Wendy, Myths of the Dog-Man. 1991. Chicago: University of Chicago Press; Witzel, Michael, The Origins of the World's Mythologies. 2010. New York: Oxford University Press; Wise, R. Todd, A Neocomparative Examination of the Orpheus Myth As Found in the Native American and European Traditions, 1998. UMI.
The Genesis creation narrative is the creation myth [a] of both Judaism and Christianity, [1] told in the Book of Genesis ch. 1–2. While the Jewish and Christian tradition is that the account is one comprehensive story [2] [3] modern scholars of biblical criticism identify the account as a composite work [4] made up of two stories drawn from different sources.
Daniel's concept of four successive world empires is drawn from Greek theories of mythological history. [2] The symbolism of four metals in the statue in chapter 2 is drawn from Persian writings, [ 2 ] while the four "beasts from the sea" in chapter 7 reflect Hosea 13:7–8, in which God threatens that he will be to Israel like a lion, a ...