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The G-sharp minor prelude (and the fugue) from the same set ends with a Picardy third, on a G-sharp major chord. G-sharp major is tonicised briefly in several of Frédéric Chopin's nocturnes in C-sharp minor. A section in the second movement of Chopin's Piano Concerto No. 1 is in G-sharp
Few symphonies are written in G-sharp minor; among them are Nikolai Myaskovsky's 17th Symphony, Elliot Goldenthal's Symphony in G-sharp minor (2014) and an abandoned work of juvenilia by Marc Blitzstein. The minuet from the Piano Sonata in E-flat major, Op. 44 ("The Farewell") by Jan Ladislav Dussek is in G-sharp minor.
G♯ (G-sharp) or sol dièse is the ninth semitone of the solfège.In the German pitch nomenclature, it is known as gis. [1]It lies a chromatic semitone above G and a diatonic semitone below A, thus being enharmonic to la bémol or A ♭ (A-flat).
Claude Debussy's Suite bergamasque does this: in the third movement "Clair de lune" the key shifts from D-flat major to D-flat minor (eight flats) for a few measures but the passage is notated in C-sharp minor (four sharps); the same happens in the final movement, "Passepied", in which a G-sharp major section is written as A-flat major.
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
In Baroque music, G major was regarded as the "key of benediction". [1] Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of 6 8 chain rhythms", according to Alfred Einstein, [2] although Bach also used the key for some 4
m. 2: G ♮ (with courtesy accidental), G ♭, G ♭ (the flat carries over) m. 3 : G ♭ (which is tied from the previous note), G ♯ , G ♮ (the natural sign cancels the sharp sign) Though this convention is still in use particularly in tonal music , it may be cumbersome in music that features frequent accidentals, as is often the case in ...
When calculated in equal temperament with a reference of A above middle C as 440 Hz, the frequency of middle G (G 4) note is approximately 391.995 Hz. [1] See pitch for a discussion of historical variations in frequency. It has enharmonic equivalents of F (F-double sharp) and A (A-double flat).
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