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The oom-pah sound is usually made by the tuba alternating between the root of the chord and the 5th — this sound is said to be the oom. The pah is played on the off-beats by higher-pitched instruments such as the clarinet, accordion or trombone. Oompah is often associated with Volkstümliche Musik, a form of popular German music, and with polka.
The Evelyn Glennie hyperstellar Waterphone is the first double chambered waterphone. Two sound chambers are connected with a pipe and one of them has also additional pipe, which is open. Each sound chamber has a set of rods attached. The instrument is characterized by very deep bass sound and very long reverberation.
In popular music, the bass part, which is called the "bassline", typically provides harmonic and rhythmic support to the band. The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root ...
Megasound was the name of a movie theater sound system created by Warner Bros. and was officially deployed during the early 1980s. Warner Bros. used it to provide deep-bass enhancement to premiere engagements for a handful of their features, including: Altered States (1980) [1] Outland (1981) [2] Superman II (1981) Wolfen (1981)
LFEs include both low-pitched musical notes and low-pitched sound effects. The musical soundtrack for many films includes bass instruments that produce very low notes. . Until the 1970s, most of the low-pitched instruments were natural, acoustic instruments, such as the double bass or the pipe organ's pedal key
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Basso profondo (Italian: [ˈbasso proˈfondo], "deep bass"), sometimes basso profundo or contrabass, is the lowest bass voice type.. While The New Grove Dictionary of Opera defines a typical bass as having a range that extends downward to the second E below middle C (E 2), [1] operatic bassi profondi can be called on to sing low C (C 2), as in the role of Baron Ochs in Der Rosenkavalier.
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