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Lev is a common Slavic name meaning "lion". The Latin name for Lviv is Leopolis, meaning "Lion City". The name of the city of Oran in Algeria is derived from the Berber root 'HR meaning lion, from which are also derived the names of Tahert and Souk Ahras. The name is attested in multiple Berber languages, for instance as uharu and ahra. A ...
In the Burmese zodiac, the lion sign is representative of Tuesday-born individuals. [ 15 ] The leograph is featured prominently on the successive post-independence State seals (including the current State Seal of Myanmar ) and most paper denominations of the Burmese kyat , and its statues are found as guardian statues of most pagodas and temples.
Two pairs of lion sculpture are installed at the Utah State Capitol in Salt Lake City. The original statues were created by Gavin Jack with cement in 1915, and repaired by Ralphael Plescia in 1977. Replacements were sculpture by Nick Fairplay with Italian marble. The sculpture are known as Fortitude, Honor, Integrity, and Patience. [1]
The Albani lion, a similar ancient sculpture, now at the Louvre. A similar Roman lion sculpture, of the 1st century AD, is known as the Albani lion, and is now in the Louvre. Here, the stone used for the ball is different from the basalt body. Both may derive from a Hellenistic original. [2]
In Chinese, they are traditionally called simply shi (Chinese: 獅; pinyin: shī) meaning lion—the word shi itself is thought to be derived from the Persian word šer. [2] Lions were first presented to the Han court by emissaries from Central Asia and Persia , and were already popularly depicted as guardian figures by the sixth century AD. [ 3 ]
The Lion in the 1870s. The Lion seen from ground level in 2017. The Lion seen from the Doge's Palace.. The Lion of Venice is an ancient bronze sculpture of a winged lion in the Piazza San Marco of Venice, Italy, which came to symbolize the city—as well as one of its patron saints, St Mark—after its arrival there in the 12th century.
Constance and Fortitude in Vienna.Early modern statues with classical iconography.. Personification as an artistic device is easier to discuss when belief in the personification as an actual spiritual being has died down; [13] this seems to have happened in the ancient Graeco-Roman world, probably even before Christianisation. [14]
In Fazang's influential Essay on the Golden Lion (Taishō no. 1881), Fazang uses the statue of a golden Chinese lion as a metaphor for reality. The gold itself stands in for the ultimate principle, while the appearance and relative shape of the lion statue is the relative and dependent phenomena as they are perceived by living beings. [116]