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OK Jazz, later renamed TPOK Jazz (short for Tout Puissant Orchestre Kinois de Jazz), was a Congolese rumba band from the Democratic Republic of the Congo established in 1956 and fronted by Franco. The group disbanded in 1993, but reformed in 1996.
Once local bands tried to emulate the sound of Cuban son (incorrectly referred to as "rumba" in Africa, despite being unrelated to Cuban rumba), their music became known as Congolese rumba or rumba Lingala. By the late 1960s, Congolese rumba was an established genre in most of Central Africa, and it would also impact the music of West and East ...
Congolese rumba, also known as African rumba, is a dance music genre originating from the Republic of the Congo (formerly French Congo) and Democratic Republic of the Congo (formerly Zaire). With its rhythms , melodies , and lyrics, Congolese rumba has gained global recognition and remains an integral part of African music heritage .
Jean de Dieu Makiese (28 May 1950 – 11 August 2007), popularly known as Madilu System, was a Congolese rumba singer and songwriter, born in what was then Léopoldville, Belgian Congo. He was once a member of the seminal band TPOK Jazz which dominated the Congolese scene from 1960s through 1980s.
Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences. [3] Soukous fuses traditional Congolese rhythms with contemporary instruments.
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from ...
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Zaïko Langa Langa played a significant role in introducing and popularizing the concept of atalaku in Congolese rumba. In the sebene instrumental section of a Congolese rumba song, the atalaku serves as the band's frontman, responsible for actively engaging the audience, building excitement, and augmenting the performance with spirited vocalizations and rhythmic chants. [1]
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