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Along with general art history information given about "Post-Impressionism" works, there are many museums that offer additional history, information and gallery works, both online and in house, that can help viewers understand a deeper meaning of "Post-Impressionism" in terms of fine art and traditional art applications.
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Albright-Knox Art Gallery, Buffalo, New York. Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants, in March 1888. [1]
Dadaism preceded Surrealism, where the theories of Freudian psychology led to the depiction of the dream and the unconscious in art in work by Salvador Dalí. Kandinsky's introduction of non-representational art preceded the 1950s American Abstract Expressionist school, including Jackson Pollock, who dripped paint onto the canvas, and Mark Rothko, who created large areas of flat colour.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group.Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
View history; Tools. Tools. move to sidebar hide. ... Paintings of the Post-Impressionist style. ... Pages in category "Post-impressionist paintings"
Naïve art is recognized, and often imitated, for its childlike simplicity and frankness. [4] Paintings of this kind typically have a flat rendering style with a rudimentary expression of perspective. [5] One particularly influential painter of "naïve art" was Henri Rousseau (1844–1910), a French Post-Impressionist who was discovered by ...
In the Breton town of Pont-Aven, a series of artists led by Paul Gauguin gathered between 1888 and 1894, [85] who developed a style heir to post-impressionism with a tendency towards primitivism and a taste for the exotic, with varied influences ranging from medieval art—especially tapestries, stained glass and enamels—to Japanese art.