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Fragments of both hymns in the Delphi Archaeological Museum. The Delphic Hymns are two musical compositions from Ancient Greece, which survive in substantial fragments.They were long regarded as being dated c. 138 BC and 128 BC, respectively, but recent scholarship has shown it likely they were both written for performance at the Athenian Pythaids in 128 BC. [1]
The melody of the song is recorded, alongside its lyrics, in ancient Greek musical notation. While older music with notation exists (e.g. the Hurrian songs or the Delphic Hymns), all of it is in fragments; the Seikilos epitaph is unique in that it is a complete, though short, composition.
Hymns in ancient Greek (2 C, 4 P) L. Ancient Greek laments (4 P) M. Ancient Greek music inscriptions (2 P) S. Skolia (2 P) ... Swallow song of Rhodes
Pages in category "Hymns in ancient Greek" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes. D. Delphic Hymns; H.
Ensemble Kérylos, a music group led by scholar Annie Bélis and dedicated to the recreation of ancient Greek and Roman music. Ensemble De Organographia, Music from the Ancient Greeks, 24 recordings on historical instruments from the documents published by Pöhlmann and West. Ancient Greek music at the Austrian Academy of Sciences. Audio ...
Mesomedes of Crete (Ancient Greek: Μεσομήδης ὁ Κρής) was a Greek citharode and lyric poet and composer of the early 2nd century AD in Roman Greece.Prior to the discovery of the Seikilos epitaph in the late 19th century, the hymns of Mesomedes were the only surviving written music from the ancient world. [1]
The Homeric Hymns (Ancient Greek: Ὁμηρικοὶ ὕμνοι, romanised: Homērikoì húmnoi) are a collection of thirty-three ancient Greek hymns and one epigram. [a] The hymns praise deities of the Greek pantheon and retell mythological stories, often involving a deity's birth, their acceptance among the gods on Mount Olympus, or the establishment of their cult.
The Oxyrhynchus hymn is the only surviving fragment of notated Christian Greek music from the first four hundred years of the Christian period, [8] although historian and musician Kenneth Levy has argued that the Sanctus melody best preserved in the Western medieval Requiem mass dates from around the fourth century. [9]