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The pottery wheel is an important component to create arts and craft products. [1] The techniques of jiggering and jolleying can be seen as extensions of the potter's wheel: in jiggering, a shaped tool is slowly brought down onto the plastic clay body that has been placed on top of the rotating plaster mould. The jigger tool shapes one face ...
Pottery techniques include the potter's wheel, slip casting and many others. Methods for forming powders of ceramic raw materials into complex shapes are desirable in many areas of technology. For example, such methods are required for producing advanced, high-temperature structural parts such as heat engine components, recuperators and the ...
Horse hair vase. Horse hair raku is a method of decorating pottery through the application of horsehair and other dry carbonaceous material to the heated ware. The burning carbonaceous material creates smoke patterns and carbon trails on the surface of the heated ware that remain as decoration after the ware cools.
This technique is typically used to form complicated shapes like figurative ceramics that would be difficult to be reproduced by hand or other forming techniques. [1] The technique involves a clay body slip , usually prepared in a blunger , being poured into plaster moulds and allowed to form a layer, the cast , on the internal walls of the mould.
In 1993 he developed a series of six educational videos on ceramic decoration processes titled “Making Marks”, based on research material for his book of the same title. In 1994, he produced a second series of five videos on design and aesthetics was produced, titled “Form and Function”, based on his second book “Functional Pottery”.
Slip decoration is an ancient technique in Chinese pottery also, used to cover whole vessels over 4,000 years ago. [11] Principal techniques include slip-painting, where the slip is treated like paint and used to create a design with brushes or other implements, and slip-trailing, where the slip, usually rather thick, is dripped onto the body.
Some techniques use thin metal leaf, including mina'i ware as well as the more usual pigments, which are typically applied in a liquid or paste form, painted by brush, or using stencils or transfer printing. The Japanese kakiemon style, and other Japanese styles, used the technique from at least the second half of the 17th century.
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
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