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The decision to release the song was made to promote the animated short-form series Descendants: Wicked World, for which Carson's version is the opening theme. [8] The song did not enter the Billboard Hot 100, but peaked at number five on the Bubbling Under Hot 100 Singles chart. [9]
Descendants is an American media franchise centered on a series of Disney Channel musical fantasy films. [1] The franchise was created by Josann McGibbon and Sara Parriott, [2] with the first three films directed by Kenny Ortega, and the fourth directed by Jennifer Phang.
Pages in category "Songs from Descendants (franchise)" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. C.
Tisdale also stated that “Love Ain’t It” is akin to Descendants’ version of “Bohemian Rhapsody,” noting that while it may not reach the iconic status of the latter, it is an epic, multilayered song with distinct sections, a catchy chorus, and strong vocals, particularly from Rita Ora. They considered it an ideal track to highlight ...
Descendants: The Rise of Red is a 2024 American musical teen fantasy comedy film directed by Jennifer Phang from a screenplay by Dan Frey and Ru Sommer. Produced by Disney Channel, the film is the fourth in the Descendants franchise, being a spin-off of the previous three films and a follow-up from Descendants: The Royal Wedding. [1]
Descendants 3 is an American musical fantasy [1] [2] television film, being the third installment in the Descendants series, following Descendants and Descendants 2, and the last one in the film trilogy focused on Mal (Dove Cameron) and her friends. It is written by Sara Parriott and Josann McGibbon, and is directed by Kenny Ortega.
Descendants 3 was released on August 2, 2019, along with the parent film, and featured 13 tracks, with much of the songs are written originally for the film. Also included in the album are: "Dig a Little Deeper" from the 2009 film The Princess and the Frog, two songs from the first film's soundtrack, "Did I Mention" and a remixed version of "Rotten to the Core".
Featuring multi-tracked harmonies, the song's instrumentation includes slow-bouncing piano tones and keyboard. [3] The song was written by Adam Anders, Nikki Hassman and Peer Astrom and produced by the duo Twin. [4] The critics of Fictively noted that part of the song is an internal monologue, meant to be fluid in the story. [5]
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