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The sayings of Jesus on the cross (sometimes called the Seven Last Words from the Cross) are seven expressions biblically attributed to Jesus during his crucifixion. Traditionally, the brief sayings have been called "words". The seven sayings are gathered from the four canonical gospels. [1] [2] In Matthew and Mark, Jesus cries out to God.
"The Crucifixion" from Jesus Christ Superstar (1969), by Tim Rice and Andrew Lloyd Webber; Douglas Allanbrook The Seven Last Words for mezzo-soprano, baritone, chorus and orchestra (1970) Sofia Gubaidulina Sieben Worte for cello, bayan, and strings (1982) James MacMillan: Seven Last Words from the Cross, cantata for choir and strings (1993)
John 16 is the sixteenth chapter of the Gospel of John in the New Testament of the Christian Bible.It records Jesus' continued Farewell Discourse to his disciples, set on the last night before his crucifixion.
The St Luke Passion (full title: Passio et mors Domini nostri Jesu Christi secundum Lucam, or the Passion and Death of Our Lord Jesus Christ According to St Luke) is a work for chorus and orchestra written in 1966 by Polish composer Krzysztof Penderecki.
Jesus was not well regarded by the Pharisees or Sanhedrin. Any meetings with Jesus would have jeopardized a Pharisee's position and reputation, and so this may have the reason for him coming by night. [3] This new birth that Jesus speaks of is thought to allude to Hosea 1:10, “Ye shall be called the sons of the living God.” [citation needed]
Time gap between Jesus' death and the writing of the gospels. 3: Talk:Jesus/Archive 80#Time gap between Jesus' death and the writing of the gospels. Nativity and early life: 3: Talk:Jesus/Archive 80#Nativity and early life: Founders of religions category tag: 6: Talk:Jesus/Archive 81#Founders of religions category tag: Jesus's Character: 4
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The seven meditations on the Last Words are excerpted from all four gospels. The "Earthquake" movement derives from Matthew 27:51ff. Much of the work is consolatory, but the "Earthquake" brings a contrasting element of supernatural intervention—the orchestra is asked to play presto e con tutta la forza—and closes with the only fortississimo (triple forte) in the piece.