Search results
Results from the WOW.Com Content Network
Generic mode dial for digital cameras showing some of the most common modes. (Actual mode dials can vary; for example point-and-shoot cameras seldom have manual modes.) Manual modes: Manual (M), Program (P), Shutter priority (S), Aperture priority (A). Automatic modes: Auto, Action, Portrait, Night Portrait, Landscape, Macro. A dial with more modes
Most dSLRs and mirrorless cameras have a few manual settings and a small sample of automatic modes. On point-and-shoot cameras, all manual control may be condensed into one mode (e.g. ASP, for Aperture priority, Shutter priority, Program) or may be completely absent. Many compact cameras show a large array of scene modes.
Hardware and software ("firmware"), built into the camera, measures luminance of the subject and automatically sets shutter speed, lens aperture or sensitivity; this also allows the camera to set the aperture for manual lenses fixed with an AE chip. [4] AE-L or AEL: Automatic exposure lock. Technology for holding an exposure setting from one ...
In the field of photography, a manual focus camera is one in which the user has to adjust the focus of the lens by hand. Before the advent of autofocus, all cameras had manually adjusted focusing; thus, the term is a retronym. The focus itself may be adjusted in a variety of ways.
A manual override (MO) or manual analog override (MAO) is a mechanism where control is taken from an automated system and given to the user. For example, a manual override in photography refers to the ability for the human photographer to turn off the automatic aperture sizing, automatic focusing , or any other automated system on the camera.
Minolta offered the 35mm f / 2.8 Shift CA lens for its manual focus SR-mount cameras in the 1970s and 1980s. The lens was unique among perspective-control lenses in that, rather than offering a combination of tilt-and-shift, Minolta designed the lens with variable field curvature, which could make the field of focus either convex or concave ...
The camera weighed 8 pounds (3.6 kg), recorded black-and-white images to a cassette tape, had a resolution of 0.01 megapixels (10,000 pixels), and took 23 seconds to capture its first image in December 1975. The prototype camera was a technical exercise, not intended for production. [20]
This process included a lengthy alignment process in which the vision engineer would work with the camera operator, to adjust the settings on both the actual camera and the CCU in tandem. [1] During production, it was the vision engineers' job to operate the CCUs and control both the exposure and the colour balance .