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Phrase structure rules break sentences down into their constituent parts. These constituents are often represented as tree structures (dendrograms). The tree for Chomsky's sentence can be rendered as follows: A constituent is any word or combination of words that is dominated by a single node. Thus each individual word is a constituent.
This line includes a masculine caesura after θεὰ, a natural break that separates the line into two logical parts. Homeric lines more commonly employ feminine caesurae; this preference is observed to an even higher degree among the Alexandrian poets. [3] An example of a feminine caesura is the opening line of the Odyssey:
A sentence diagram is a pictorial representation of the grammatical structure of a sentence. The term "sentence diagram" is used more when teaching written language, where sentences are diagrammed. The model shows the relations between words and the nature of sentence structure and can be used as a tool to help recognize which potential ...
The standard 'vanilla' approach to locate the end of a sentence: [clarification needed] (a) If it is a period, it ends a sentence. (b) If the preceding token is in the hand-compiled list of abbreviations, then it does not end a sentence. (c) If the next token is capitalized, then it ends a sentence. This strategy gets about 95% of sentences ...
Examples are to be found, for instance, in Shakespeare's sonnets. Here are two examples of this technique operating in different ways in Shakespeare's Cymbeline: In the first example, the line break between the last two lines cuts them apart, emphasizing the cutting off of the head: With his own sword, Which he did wave against my throat, I ...
An orphan line is more easily deleted, either by inserting a blank line or by forcing a page break to push the orphan line onto the next page, to be part of the paragraph to which the orphan belongs. Similarly, an orphan word at the end of a paragraph can be relocated by forcing one or more words from the preceding text line into the paragraph ...
For example, newspapers, scientific journals, and fictional essays have somewhat different conventions for the placement of paragraph breaks. A common English usage misconception is that a paragraph has three to five sentences; single-word paragraphs can be seen in some professional writing, and journalists often use single-sentence paragraphs. [7]
Meaning flows as the lines progress, and the reader's eye is forced to go on to the next sentence. It can also make the reader feel uncomfortable or the poem feel like "flow-of-thought" with a sensation of urgency or disorder. In contrast, the following lines from Romeo and Juliet (c. 1595) are completely end-stopped:
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