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Mundum neriyatum (Malayalam: മുണ്ട് നേരിയത്; settu-mundu or mundu-set) is the traditional clothing of women in Kerala, a state in southwestern India. It is the oldest remnant of the ancient form of the sari which covered only the lower part of the body.
A variant called a mundum neriyatum is used more often by women. The mundum neriyatum is a set of two mundus, both having matching kara. The set contains a lower garment similar to those worn by men. The upper mundu, worn with a blouse, is wrapped once around the waist and upper body and left hanging from the left shoulder, resembling a sari ...
The traditional number of ten plagues is not actually mentioned in Exodus, and other sources differ; Psalms 78 and 105 seem to list only seven or eight plagues and order them differently. [1] It appears that originally there were only seven, to which were added the third, sixth, and ninth, bringing the count to ten. [27]: 83–84
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It is reported that the rod was made of sapphire, weighed forty seahs (a seah = 10.70 pounds), and bore the inscription דצ״ך עד״ש באח״ב (the initials of the Hebrew names of the Ten Plagues). [14] God created it in the twilight of the sixth day of Creation, [15] [16] and delivered it to Adam when the latter was driven from paradise.
It is worn as a garment that closely resembles the mundum neriyathum though it is not considered a true mundum neriyathum by classic definition. Traditional mundum neriyathum consists of a two-piece cloth, while Kerala sari is worn in a way to resemble navi drape using two-piece mundum neiyathum.
Plague Songs is an album of songs about the ten Plagues of Egypt described in the Book of Exodus performed by various artists. The songs were originally commissioned by the British arts organisation Artangel for its project The Margate Exodus, which centres on a one-day event that took place in Margate on 30 September 2006. [4] [5]
Revelation 15 is the fifteenth chapter of the Book of Revelation or the Apocalypse of John in the New Testament of the Christian Bible.The book is traditionally attributed to John the Apostle, [1] [2] but the precise identity of the author remains a point of academic debate. [3]