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The pattern is impressed upon the sheet by a printing roller which is brought down upon the glass as it leaves the main rolls while still soft. This glass shows a pattern in high relief. The glass is then annealed in a lehr. The glass used for this purpose is typically whiter in colour than the clear glasses used for other applications.
The millefiori technique involves the production of glass canes or rods, known as murrine, with multicolored patterns which are viewable only from the cut ends of the cane. [2] [9] A murrine rod is heated in a furnace and pulled until thin while still maintaining the cross section's design. It is then cut into beads or discs when cooled. [2] [9]
Glass block wall in Chicago. Glass blocks can provide light and serve as a decorative addition to an architectural structure, but hollow glass blocks are non load-bearing unless stated otherwise. Hollow glass wall blocks are manufactured as two separate halves and, while the glass is still molten, the two pieces are pressed together and annealed.
Early American molded glass refers to glass functional and decorative objects, such as bottles and dishware, that were manufactured in the United States in the 19th century. . The objects were produced by blowing molten glass into a mold, thereby causing the glass to assume the shape and pattern design of the m
Identifying carnival glass involves matching patterns, colours, sheen, edges, thickness, and other factors from old manufacturer's trade catalogs, other known examples, or other reference material. Since many manufacturers produced close copies of their rivals' popular patterns, carnival glass identification can be challenging even for an expert.
Marbled and dappled patterns: Some of these patterns are clearly formed through the distortion of the original pattern during the slumping of the glass plate during melting. [7] However, by using spiral and circular patterns of alternating colours producers were also able to deliberately imitate the appearance of natural stones such as sardonyx ...
The Baroque glass pattern was made by Fostoria from 1937 to 1965, and used for stemware and many types of tableware. [74] The Chintz pattern was made from 1940 to 1973. This etching pattern is a drawing of branches leaves and flowers, and was usually on the Baroque glass pattern. [75] The Colony pattern discussed earlier was introduced around ...
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]