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It’s 2024, guitar pedals are bigger than ever, and Bill Finnegan still hasn’t shown any kind of inclination or desire to make anywhere near enough of his legendary Klon pedals to satisfy demand.
Designed for electric guitar and bass and operated by the player's foot, distortion pedals are most frequently placed in the signal chain between the guitar and amplifier. The use of distortion pedals was popularized by Keith Richard's use of a Maestro FZ-1 Fuzz-Tone pedal on the 1965 Rolling Stones song "(I Can't Get No) Satisfaction".
Since its discontinuance, the HM-2 has become one of the most demanded pedals of the Boss back catalogue. [3] [1] [2] Guitarist and record producer Kurt Ballou has been cited as an influence for the pedal's resurgence [4] and bands such as Nails and Rotten Sound have also appropriated the pedal's sound for different extreme metal styles. [5]
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
Under the Damage Control name, the company's product line included several guitar preamps, distortions, multi-effects, [2] and delays which utilized tubes within the pedals themselves. A Strymon BigSky reverb pedal. The Strymon product line includes distortion, delay, [3] reverb, [4] chorus, [5] flanger, and compressor pedals for guitar. [6] [7]
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3579 S High St, Columbus, OH · Directions · (614) 409-0683