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The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
Filippo Lippi, Adoration in the Forest, by 1459 Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the ...
Raphael: The Betrothal of the Virgin (1504), Pinacoteca di Brera, Milan.. Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers.
The corridor, named after the Renaissance architect and biographer Giorgio Vasari, who designed it, is some 750 meters (820 yards) long. Secret passage that Florence's Medici used to move safely ...
Visitors observing Michelangelo’s Doni Tondo.Uffizi is ranked as the 5th most visited art museum in the world, with around five million visitors annually.. The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici as a means to consolidate his administrative control of the various committees, agencies, and guilds established in Florence's Republican past ...
Brucker, Gene A. Renaissance Florence (2nd ed. 1983) Cochrane, Eric. Florence in the Forgotten Centuries, 1527-1800: A History of Florence and the Florentines in the Age of the Grand Dukes (1976) Crum, Roger J. and John T. Paoletti. Renaissance Florence: A Social History (2008) excerpt and text search; Goldthwaite, Richard A.
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