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Brucker, Gene A. Renaissance Florence (2nd ed. 1983) Cochrane, Eric. Florence in the Forgotten Centuries, 1527-1800: A History of Florence and the Florentines in the Age of the Grand Dukes (1976) Crum, Roger J. and John T. Paoletti. Renaissance Florence: A Social History (2008) excerpt and text search; Goldthwaite, Richard A.
The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th. This new figurative language was linked to a new way of thinking about humankind and the world around it, based on the local culture and humanism already highlighted ...
In Florence a separate Guild of Saint Luke for artists did not exist. Painters belonged to the guild of the Doctors and Apothecaries ( Arte dei Medici e Speziali ) as they bought their pigments from the apothecaries, while sculptors were members of the Masters of Stone and Wood ( Maestri di Pietra e Legname ), [ 39 ] or the metalworkers if ...
Generally, "sculpture of any quality" was more expensive than an equivalent in painting, and when in bronze dramatically so. The painted Equestrian Monument of Niccolò da Tolentino of 1456 by Andrea del Castagno appears to have cost only 24 florins, while Donatello's equestrian bronze of Gattamelata, several years earlier, has been "estimated conservatively" at 1,650 florins.
The city is so rich in art that some visitors experience Stendhal syndrome as they encounter its art for the first time. [84] The Uffizi Gallery is the 10th most visited art museum in the world. Florentine architects such as Filippo Brunelleschi (1377–1466) and Leon Battista Alberti (1404–1472) were among the fathers of Renaissance ...
Giovanni di Paolo was an important patron of the arts, matched only by Cosimo de' Medici in fifteenth-century Florence. [4]: 105 He commissioned the building of the Palazzo Rucellai, designed by Leon Battista Alberti, and of the Loggia Rucellai. [1]
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Vespasiano, in his Lives of illustrious men of the 15th century described him as rich, handsome, a family man, a scholar, and a great builder and collector. [2] Palla Strozzi was the richest man in Florence with a gross taxable assets of 162,925 florins in 1427, [ 3 ] including 54 farms, 30 houses, a banking firm with a capital of 45,000 ...