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Filipino hip-hop is hip hop music performed by musicians of Filipino descent, both in the Philippines and overseas, especially by Filipino-Americans. The Philippines is known to have the first hip-hop music scene in Asia, emerging in the early 1980s, largely due to the country's historical connections with the United States where hip-hop ...
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
Bahay Kubo" is a Tagalog-language folk song from the lowlands of Luzon, Philippines. [1] In 1964, it was included in a collection of Filipino folk songs compiled by Emilia S. Cavan. [2] The song is about a bahay kubo (lit.
The Minus-One is the patented name of the karaoke machine invented by Filipino business executive Roberto del Rosario in 1975. [4] The term "karaoke" is a combined Japanese word from karappo ( 空っぽ , empty) and okestura ( オーケストラ , orchestra) , meaning "empty orchestra" or an "orchestra void of vocals," which the Minus-One ...
Manila Bulletin Online: Great Filipino Love Songs Tops the Charts; UPMASA: Featuring Maestro Ryan Cayabyab; INQ7.net: Basil Valdez Revives Filipino Classics; INQ7.net: Surprise hit inspires more recordings from SMC Orchestra; INQ7.net: New Year Shock: San Miguel kills orchestra, chorale Archived December 15, 2008, at the Wayback Machine
"Ikaw Na" (2014), music and lyrics by Dindo Purto, SSP "MaGMAhalan Tayo Ngayong Pasko" (2015), written by Brian James Camaya and Clare Yee and music by Simon Peter Tan and sung by Alden Richards "Thank You For The Love" (2015), written by Robert Labayen and music by Thyro Alfaro and Yumi Lacsamana "Nakakamiss ang Pasko" (2015), written by Cl.
Manila sound is styled as catchy and melodic, with smooth, lightly orchestrated, accessible folk/soft rock, sometimes fused with funk, light jazz and disco.However, broadly speaking, it includes quite a number of genres (e.g. pop, vocal music, soft rock, folk pop, disco, soul, Latin jazz, funk etc.), and should therefore be best regarded as a period in Philippine popular music rather than as a ...
Based on techno and house music with Sama-Bajau tangonggo rhythms, it is regarded as the first "Filipino-fied" electronic music, characterized by its aggressive percussion, heavy use of sampling, off-beat basslines, high-pitched "tiw ti-ti-tiw" whistle hooks, and organic noises that surround the city. [2]