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For Bach, some instruments carried symbolic meaning such as a trumpet, the royal instrument of the Baroque, for secular and divine majesty: three trumpets for the Trinity. In arias, Bach often used obbligato instruments, which correspond with the singer as an equal partner.
Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". [2]
Many instruments evolved or were invented during the Baroque period of European classical music (ca. 1600-1750), which fell out of popular use after this period. Most commonly, as the Baroque focus on quiet chamber music faded, and larger, louder orchestral works were composed, quieter instruments were abandoned in favor of louder counterparts.
An example of a multi-hole baroque trumpet is the coiled Jägertrompete made by Helmut Finke, [8] used by the Concentus Musicus Wien on many of their early recordings. However, this model has fallen out of favor with period instrument groups, and is seldom used nowadays. Baroque trumpet, model Johann Leonhard Ehe III, Nürnberg, 1700
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
The instruments used to play the work of Claudio Monteverdi at the very beginning of the Baroque period differed somewhat from those of late Baroque composers. As a result, a modern player who plays repertoire from throughout the Baroque period but can afford only one instrument necessarily has to make a compromise with an instrument that has ...
The Baroque (UK: / b ə ˈ r ɒ k / bə-ROK, US: /-ˈ r oʊ k /- ROHK; French:) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. [1]
An interesting feature of this period is the proliferation of concerti for less usual instruments, including orchestral ones such as the double bass (by composers like Eduard Tubin or Peter Maxwell Davies) and cor anglais (like those by MacMillan and Aaron Jay Kernis), but also folk instruments (such as Tubin's concerto for Balalaika, Serry's ...