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In addition to the preparation poetry seen by Edward Taylor, the Puritan woman Anne Bradstreet wrote dense poetry of her own. She spoke in a deeply personal manner distant from the general understanding of the role of Puritan women. She used poetry as a mode of demonstrating her love for family, husband, and God.
A love poem, "The Good-Morrow" is thematically centred on several concepts. The poem is primarily to do with evolving love; the movement from pure lust, in the first stanza, to a nascent and evolving spirituality which liberates the lovers because they no longer "watch each other out of fear" but can instead see clearly. [8]
Collinson has discussed a moderate Puritanism, as contrasted to an extreme Puritanism that demanded presbyterianism in church polity. [11] Ferrell argues that conforming Puritanism was at the same time part of a theological consensus, and in terms of church polity a target of the sustained and divisive Jacobean polemical campaign against ...
John Milton (1608–1674), most famous for his epic poem "Paradise Lost" (1667), was an English poet with religious beliefs emphasizing central Puritanical views.While the work acted as an expression of his despair over the failure of the Puritan Revolution against the English Catholic Church, it also indicated his optimism in human potential.
"Young Goodman Brown" is a short story published in 1835 by American writer Nathaniel Hawthorne. The story takes place in 17th-century Puritan New England, a common setting for Hawthorne's works, and addresses the Calvinist/Puritan belief that all of humanity exists in a state of depravity, but that God has destined some to unconditional election through unmerited grace.
Playwrights noticed their audience would be more responsive to clear messages rather than innuendos, double-entendres and hidden meanings, and thus altered their style of writing accordingly. The plain style was also used widely in Puritan practice, as sermons and poems were written and delivered in the plain style. This introduced the style to ...
Wigglesworth was in attendance at a number of meetings that year but is not recorded as having had much to say. His famous poem "Day of Doom" published some 30 years prior has only one brief mention of the word "witch." [9] Unlike the Mathers, witchcraft does not appear to have been a subject of great interest to him.
A late Victorian English poem from the 1880s, "Chertsey Curfew" by Boyd Montgomerie Ranking, treats the same events. [8] In 1895, Stanley Hawley wrote music to accompany the poem's recitation (a performance tradition known as melodrama). This was published as sheet music by Robert Cooks and Co. [9] The poem was widely known in the English ...