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  2. Dramatic theory - Wikipedia

    en.wikipedia.org/wiki/Dramatic_theory

    Drama is defined as a form of art in which a written play is used as basis for a performance. [1]: 63 Dramatic theory is studied as part of theatre studies. [2] Drama creates a sensory impression in its viewers during the performance. This is the main difference from both poetry and epics, which evoke imagination in the reader.

  3. Prop - Wikipedia

    en.wikipedia.org/wiki/Prop

    The hero prop may have legible writing, lights, moving parts, or other attributes or functions missing from a standard prop. The name refers to their typical use by main characters in a production. A hero prop phaser from the Star Trek franchise, for example, might include a depressible trigger and a light-up muzzle and display panel (all of ...

  4. Poetics (Aristotle) - Wikipedia

    en.wikipedia.org/wiki/Poetics_(Aristotle)

    The Chorus should be written as one of the actors. As such, It should be an integral part of the whole: taking a share in the action and contributing to the unity of the plot. It is a factor in the pleasure of the drama. spectacle ; Refers to the visual apparatus of the play, including set, costumes, and props (anything you can see).

  5. Drama - Wikipedia

    en.wikipedia.org/wiki/Drama

    Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.

  6. Realism (theatre) - Wikipedia

    en.wikipedia.org/wiki/Realism_(theatre)

    As used in critical literature today, however, the term Naturalism has a broader scope than that within which all of Stanislavski's work falls. In this broader sense, Naturalism or "psychological realism" is distinct both from Socialist realism and the critical realism developed by the epic theatre of Bertolt Brecht .

  7. Essay of Dramatick Poesie - Wikipedia

    en.wikipedia.org/wiki/Essay_of_Dramatick_Poesie

    This definition of a play, supplied by Lisideius/Sedley (whose rhymed plays had dazzled the court and were a model for the new drama), gives the debaters a versatile and richly ambiguous touchstone. To Crites' argument that the plots of classical drama are more "just," Eugenius can retort that modern plots are more "lively" thanks to their variety.

  8. Theatre of France - Wikipedia

    en.wikipedia.org/wiki/Theatre_of_France

    The poetry of Baudelaire and much of the literature in the latter half of the century (or "fin de siècle") were often characterized as "decadent" for their lurid content or moral vision, but with the publication of Jean Moréas "Symbolist Manifesto" in 1886, it was the term symbolism which was most often applied to the new literary environment.

  9. Dramatic monologue - Wikipedia

    en.wikipedia.org/wiki/Dramatic_monologue

    Dramatic monologue is a type of poetry written in the form of a speech of an individual character. M.H. Abrams notes the following three features of the dramatic monologue as it applies to poetry: The single person, who is patently not the poet, utters the speech that makes up the whole of the poem, in a specific situation at a critical moment

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