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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The modern English word evil (Old English yfel) and its cognates such as the German Übel and Dutch euvel are widely considered to come from a Proto-Germanic reconstructed form of *ubilaz, comparable to the Hittite huwapp-ultimately from the Proto-Indo-European form *wap-and suffixed zero-grade form *up-elo-.
"Good Bad Books" is an essay by George Orwell first published in Tribune on 2 November 1945. After Orwell's death, the essay was republished in Shooting an Elephant and Other Essays (1950). The essay examines the lasting popularity of works not usually considered great literature.
The expression is pre-dated by an anecdote in the 1875 Our Bishops and Deans by the Reverend F. Arnold, referenced in an issue of The Academy: A Weekly Review of Literature, Science, and Art: "Without pledging our credence, we could afford a grin to the story of the 'young Levite' who at a bishop's breakfast-table, was so 'umble as to decline the replacement of a bad egg by a good one with a ...
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...
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From 1840 to the late 1870s, Dark Romanticism dominated literature and art. The primary element employed was symbolism. They would symbolize man's bad side and "study human nature's difficulties." Artists sought to show how evil, rather than virtue, consumes people, and how individual acts lead to self-destruction. [7]