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Longfellow wrote the poem shortly after completing lectures on German writer Johann Wolfgang von Goethe and was heavily inspired by him. He was also inspired to write it by a heartfelt conversation he had with friend and fellow professor at Harvard University Cornelius Conway Felton; the two had spent an evening "talking of matters, which lie near one's soul:–and how to bear one's self ...
The earliest Christian poetry, in fact, appears in the New Testament. Canticles such as the Magnificat and Nunc Dimittis, which appear in the Gospel of Luke, take the Biblical poetry of the psalms of the Hebrew Bible as their models. [1] Many Biblical scholars also believe that St Paul of Tarsus quotes bits of early Christian hymns in his epistles.
In 1922, Markham's poem "Lincoln, the Man of the People" was selected from 250 entries to be presented at the dedication of the Lincoln Memorial. The author himself read the poem. Dr. Henry Van Dyke of Princeton said of the poem, "Edwin Markham's Lincoln is the greatest poem ever written on the immortal martyr, and the greatest that ever will ...
Joseph Medlicott Scriven, (10 September 1819 – 10 August 1886) was an Irish-born Canadian poet, best known as the writer of the poem which became the hymn "What a Friend We Have in Jesus". [ 1 ] Life
Like many poems of the Anglo-Saxon period, The Dream of the Rood exhibits many Christian and pre-Christian images, but, in the final analysis, is a Christian piece. [24] Examining the poem as a pre-Christian (or pagan) text is difficult, as the scribes who wrote it down were Christian monks who lived in a time when Christianity was firmly ...
The poem is written in Whitman's signature free verse style. Whitman, who praises words "as simple as grass" (section 39) forgoes standard verse and stanza patterns in favor of a simple, legible style that can appeal to a mass audience. [7] Critics have noted a strong Transcendentalist influence on the poem. In section 32, for instance, Whitman ...
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"The Touch of the Master's Hand", also sometimes called The Old Violin, [1] is a Christian poem written in 1921 [2] by Myra Brooks Welch. [3]The poem tells of a battered old violin that is about to be sold as the last item at an auction for a pittance, until a violinist steps out of the audience and plays the instrument, demonstrating its beauty and true value.