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Robinson was born in Bristol, England to Nicholas Darby, a naval captain, and his wife Hester (née Vanacott) who had married at Donyatt, Somerset, in 1749, and was baptised 'Polle(y)' ("Spelt 'Polle' in the official register and 'Polly' in the Bishop's Transcript") at St Augustine's Church, Bristol, 19 July 1758, [3] the entry noting that she was born on 27 November 1756. [4]
Sappho and Phaon was the second of David's major paintings to take a mythological love story as its subject, after The Loves of Paris and Helen from 1788. [2] It is visually very similar to that earlier work – the two paintings are sufficiently similar that a preparatory drawing for Sappho and Phaon was traditionally identified as being a ...
Sappho and Phaon.A Jacques-Louis David painting from the Moika Palace in Saint Petersburg. Lyly dramatised the ancient Greek legend of the romance of Sappho and Phaon, drawing on Ovid's "Letter from Sappho to Phaon", from the Heroides, and Aelian's Varia Historia (translated into English by Abraham Fleming in 1576).
In the preface to her sequence Sappho and Phaon: in a series of legitimate sonnets (1796), Robinson denounced the undisciplined effusions filling the literary reviews as "non-descript ephemera from the heated brains of self-important poetasters". [16] Seward, on her side, appealed to the critical dictates of Boileau.
Sappho, Phaon, and Cupid. Jacques-Louis David, 1809. In Greek mythology, Phaon (Ancient Greek: Φάων; gen.: Φάωνος) was a mythical boatman of Mytilene in Lesbos. He was old and ugly when Aphrodite came to his boat. She put on the guise of a crone. Phaon ferried her over to Asia Minor and accepted no payment for doing so. In return, she ...
Sappho and Phaon; Sappho at Leucate; Sappho Inspired by Love This page was last edited on 17 March 2024, at 00:22 (UTC). Text is available under the Creative ...
This led to Mary Robinson's fighting preface to her sequence Sappho and Phaon, in which she asserted the legitimacy of the Petrarchan form as used by Milton over "the non-descript ephemera from the heated brains of self-important poetasters" that pass as sonnets in the literary reviews of her day. [59]
Ovid's Heroides 15 is written as a letter from Sappho to Phaon, and when it was first rediscovered in the 15th century was thought to be a translation of an authentic letter by Sappho. [187] Sappho's suicide was also depicted in classical art, for instance on the first-century BC Porta Maggiore Basilica in Rome. [186]