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American Graffiti is a 1973 American coming-of-age comedy-drama film directed by George Lucas, produced by Francis Ford Coppola, written by Willard Huyck, Gloria Katz and Lucas, and starring Richard Dreyfuss, Ron Howard, Paul Le Mat, Charles Martin Smith, Candy Clark, Mackenzie Phillips, Cindy Williams and Wolfman Jack.
I am new to this page, but since hot rods are such a prominent theme in this film, I think it's worth mentioning that Bob Falfa drives a '55 Chevy. I suggest adding it to the Plot section, since the lead-up to Falfa's race against Milner's deuce coupe, not to mention the race itself, is such an important part of the plot.
The Modesto American Graffiti Festival & Car Show is a cultural festival and classic car show that takes place in Modesto, California. Organized by the Kiwanis Club of North Modesto, the festival has occurred annually since 1999, making summer 2024 the 25th anniversary.
The Graffiti USA Classic Car Museum seeks $3 million to build the 10th Street experience. Skip to main content. Sign in. Mail. 24/7 Help. For premium support please call: 800-290-4726 more ways to ...
Cast members Ron Howard, Mackenzie Phillips and more look back on George Lucas' nostalgic classic, which opened 50 years ago Friday.
More American Graffiti, a 1979 coming-of-age comedy film written and directed by Bill L. Norton, had filmed Paul Le Mat's character, John Milner, drag racing here. [3] Hot Rod, the 1979 made-for-television directed by George Armitage and starring Gregg Henry and Pernell Roberts, filmed races here. [4]
More American Graffiti is a 1979 American coming-of-age comedy film written and directed by Bill L. Norton, produced by Howard Kazanjian. The film, shot in multiple aspect ratios for comedic and dramatic emphasis, is the sequel to the 1973 film American Graffiti. While the first film followed a group of friends during the evening before they ...
Producer Richard Irving was a vice-president at Universal. He said he got the idea for making the film after attending a side car race in Sydney. He thought the sport "captured the Australian spirit . . . the sense of fun, a certain recklessness, energy and the desire to win" and wanted to make a film with the sport as a backdrop. [2]