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The poem echoes the grief of all parents who lost sons in the First World War. John Kipling was a 2nd Lt in the Irish Guards and disappeared in September 1915 during the Battle of Loos in the First World War. The poem was published as a prelude to a story in his book Sea Warfare written about the Battle of Jutland in 1916. [2]
After he married, the couple moved to Silloth, and Harkins turned to visual art, principally painting nude and erotic portraits, many of his wife, and selling them online, as well as caring for the couple's disabled son. [1] [2] [7] They later returned to live in Carlisle. [8]
Sonatorrek ("the irreparable loss of sons") is a skaldic poem in 25 stanzas, that appears in Egil's Saga (written c.a. 1220–1240), an Icelandic saga focusing on the life of skald and viking, Egill Skallagrímsson (ca. 910–990). The work laments the death of two of the poet's sons, Gunnar, who died of a fever, and Böðvarr, who drowned ...
On a small table adjacent to a red couch, Doris Hernandez keeps the last photo of her late son amid dozens of crosses, a rosary and a Bible with worn pages bearing the weight of countless prayers.
Several poems look at the narrator’s parents — the poetry isn’t necessarily autobiographical — particularly one called “Drunken Monologue From an Alcoholic Father’s Oldest Daughter.”
His first major poetry collections were Voices of the Night (1839) and Ballads and Other Poems (1841). He retired from teaching in 1854 to focus on his writing, and he lived the remainder of his life in the Revolutionary War headquarters of George Washington in Cambridge, Massachusetts. His first wife, Mary Potter, died in 1835 after a miscarriage.
The story follows an unnamed narrator and his wife Ligeia, a beautiful and intelligent raven-haired woman. She falls ill, composes "The Conqueror Worm", and quotes lines attributed to Joseph Glanvill (which suggest that life is sustainable only through willpower) shortly before dying. After her death, the narrator marries the Lady Rowena.
Poems of 1912–1913 are an elegiac sequence written by Thomas Hardy in response to the death of his wife Emma in November 1912. An unsentimental meditation upon a complex marriage, [1] the sequence's emotional honesty and direct style made its poems some of the most effective and best-loved lyrics in the English language.