Search results
Results from the WOW.Com Content Network
Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. [1] Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely ...
Print/export Download as PDF; Printable version; In other projects ... Pages in category "Viking art" The following 31 pages are in this category, out of 31 total.
Viking Age art is a term for the art of Scandinavia and Viking settlements elsewhere, especially in the British Isles, during the Viking Age. The Vikings were active in the Nordic countries between the late Early Middle Ages and the early portion of the High Middle Ages .
The runestone styles were part of the general evolution of art in Scandinavia. This is a part of the decoration of the Urnes stave church which is in the same as the later runestone styles. The term "runestone style" in the singular may refer to the Urnes style. The style or design of runestones varied during the Viking Age.
Raven artwork on the Vendel I shield (early 600s) at the Swedish Museum of National Antiquities. The raven is a common iconic figure in Norse mythology . The highest god Odin had two ravens named Huginn and Muninn (" thought " and " memory " respectively) who flew around the world bringing back tidings to their master.
The inscription is reconstructed based upon a drawing made during a runestone survey in 1690 by Ulf Christoffersson, [14] and originally included several figures from the Sigurd story, including a bird, Ótr with the ring, and a horse. [14] The personal name Þorgeirr in the runic text means "Thor's spear". [15] Latin transliteration:
By 1872, the depiction of Norse myths was largely out of fashion among art critics, who had more enthusiasm for Realism. In his review from the Nordic Exhibition, the critic Julius Lange dismissed Arbo's and Winge's mythological works as "ghosts and bogeymen". [4] Over time, The Wild Hunt of Odin has been among Arbo's most celebrated works.
Some of them are intended as hoaxes, their creators attempting to imitate a Viking Age artefact. Especially since the late 20th century, runestones in the style of the Viking Age were also made without pretense of authenticity, either as independent works of art or as replicas as museum exhibits or tourist attractions. [11]