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The Kentuckian is a 1955 American CinemaScope Western film directed by Burt Lancaster, who also stars. This is one of only two films that Lancaster directed (the other was The Midnight Man ), and the only one for which he has sole credit.
The Kentuckian may refer to: The Kentuckian, a 1955 Technicolor and CinemaScope adventure film; The Kentuckian, 1954 painting by Thomas Hart Benton based on the film; The Kentuckian, a short silent black and white western film; The Kentuckians 1921 American silent drama film by Charles Maigne.
1955 The Kentuckian: Elias Wakefield (Big Eli) Director Nominated—Golden Lion for Best Director: The Rose Tattoo: Alvaro Mangiacavallo 1956 Trapeze: Mike Ribble Silver Bear for Best Actor at Berlin [2] The Rainmaker: Bill Starbuck Nominated—Golden Globe Award for Best Actor – Motion Picture Drama: 1957 Gunfight at the O.K. Corral: Marshal ...
Synopsis: The story of writer Flannery O'Connor when she was trying to publish her first novel, according to IMDb. Kentucky locations in the movie: Movie crews were seen filming in Frankfort near ...
He worked for a time in Hollywood, writing the screenplays for Shane (1953, for which he was nominated for an Academy Award) and The Kentuckian (1955). [ 5 ] His other books included These Thousand Hills (1956), The Blue Hen's Chick (1965), Arfive (1970), The Last Valley (1975), Fair Land, Fair Land (1982), Murder in the Cotswolds (1989), and A ...
The Fighting Kentuckian is a 1949 American Adventure Western film written and directed by George Waggner and starring John Wayne, who also produced the film. The supporting cast featured Vera Ralston ; Philip Dorn ; Oliver Hardy (of Laurel & Hardy ) portraying Wayne's portly sidekick ; Marie Windsor ; John Howard ; Hugo Haas ; Grant Withers and ...
Whip Wilson (born Roland Charles Meyers, [1] June 16, 1911 – October 22, 1964) was an American cowboy film star of the late 1940s and into the 1950s, known for his roles in B-Westerns.
The revisionist Western is a sub-genre of the Western fiction. [1] [2] [3] Called a post-classical variation of the traditional Western, the revisionist subverts the myth and romance of the traditional by means of character development and realism to present a less simplistic view of life in the "Old West".