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Historical criticism (also known as the historical-critical method (HCM) or higher criticism, [1] in contrast to lower criticism or textual criticism [2]) is a branch of criticism that investigates the origins of ancient texts to understand "the world behind the text" [3] and emphasizes a process that "delays any assessment of scripture's truth and relevance until after the act of ...
In the second half of the book Barthes addresses the question of "What is a myth, today?" with the analysis of ideas such as: myth as a type of speech, and myth as a type of politics. The front cover of the Paris Match magazine that Barthes analyzes. Following on from the first section, Barthes justifies and explains his choices and analysis.
In the fields of philosophy and mythography, euhemerism (/ j uː ˈ h iː m ər ɪ z əm,-h ɛ m-/) is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages.
The Historical Atlas of World Mythology is a multi-volume series of books by Joseph Campbell that traces developments in humankind's mythological symbols and stories from pre-history forward. Campbell is perhaps best known as a comparativist who focused on universal themes and motifs in human culture.
Critical historiography approaches the history of art, literature or architecture from a critical theory perspective. Critical historiography is used by various scholars in recent decades to emphasize the ambiguous relationship between the past and the writing of history. Specifically, it is used as a method by which one understands the past ...
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works.
Hamlet's Mill: An Essay Investigating the Origins of Human Knowledge and Its Transmission Through Myth (first published by Gambit, Boston, 1969) by Giorgio de Santillana (a professor of the history of science at MIT) and Hertha von Dechend (a scientist at Johann Wolfgang Goethe-Universität) is a nonfiction work of history and comparative mythology, particularly the subfield of archaeoastronomy.
The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by the English writer Robert Graves. First published in 1948, it is based on earlier articles published in Wales magazine; corrected, revised and enlarged editions appeared in 1948, 1952 and 1961.