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Historical criticism (also known as the historical-critical method (HCM) or higher criticism, [1] in contrast to lower criticism or textual criticism [2]) is a branch of criticism that investigates the origins of ancient texts to understand "the world behind the text" [3] and emphasizes a process that "delays any assessment of scripture's truth and relevance until after the act of ...
In the second half of the book Barthes addresses the question of "What is a myth, today?" with the analysis of ideas such as: myth as a type of speech, and myth as a type of politics. The front cover of the Paris Match magazine that Barthes analyzes. Following on from the first section, Barthes justifies and explains his choices and analysis.
The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by the English writer Robert Graves. First published in 1948, it is based on earlier articles published in Wales magazine; corrected, revised and enlarged editions appeared in 1948, 1952 and 1961.
In the fields of philosophy and mythography, euhemerism (/ j uː ˈ h iː m ər ɪ z əm,-h ɛ m-/) is an approach to the interpretation of mythology in which mythological accounts are presumed to have originated from real historical events or personages.
Critical historiography approaches the history of art, literature or architecture from a critical theory perspective. Critical historiography is used by various scholars in recent decades to emphasize the ambiguous relationship between the past and the writing of history. Specifically, it is used as a method by which one understands the past ...
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works.
The problems posed by the rise of fascism with the demise of the liberal state and the market (together with the failure of a social revolution to materialize in its wake) constitute the theoretical and historical perspective that frames the overall argument of the book—the two theses that "Myth is already enlightenment, and enlightenment ...
The Christ Myth, first published in 1909, was a book by Arthur Drews on the Christ myth theory.Drews (1865–1935), along with Bruno Bauer (1809–1882) and Albert Kalthoff (1850–1906), is one of the three German pioneers of the denial of the existence of a historical Jesus.