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Fields of Gold: The Best of Sting 1984–1994 is the first greatest hits album by English musician Sting.Released in 1994, it features hit singles from his first four studio albums The Dream of the Blue Turtles (1985), ...Nothing Like the Sun (1987), The Soul Cages (1991), and Ten Summoner's Tales (1993), plus two new tracks.
The Very Best of... Sting & The Police is a compilation album issued by A&M Records on 3 November 1997, [4] containing a mix of Police songs and Sting's solo works. [5] It originally featured one new track, a remix of the 1978 song "Roxanne" by rap artist Sean "Puffy" Combs.
The discography of British singer Sting.Born Gordon Sumner in 1951, he was a member of the jazz group Last Exit, who released a cassette album in 1975.With The Police (1977–1986, occasional reunions thereafter), Sting sold over 100 million records and singles.
"Every Breath You Take" is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM chart for four weeks.
Sting's fourteenth album, titled My Songs, was released on 24 May 2019. The album features 14 studio (and one live) re-recorded versions of his songs released throughout his solo career and his time with the Police.
Sting Brimstone and Treacle: 1982 "Invisible Sun" † Sting Ghost in the Machine: 1981 [4] "It's Alright for You" Sting Stewart Copeland Reggatta de Blanc: 1979 [2] " A Kind of Loving" Andy Summers Sting Stewart Copeland Brimstone and Treacle: 1982 "King of Pain" † Sting Synchronicity: 1983 [8] "Landlord" † Sting Stewart Copeland Non-album ...
Speaking out. Sting returned to a 1985 song that he hoped would no longer be needed more than 30 years later.. Shocking Band Exits Through the Years. Read article “I’ve only rarely sung this ...
The album came out shortly after Sting's solo album The Soul Cages, prompting David Sinclair to point out in his review in Q magazine that "Copeland and Summers were far more than a passive vehicle for Sting's songs. As powerful personalities and assertive musicians in their own right, they gingered up Sting's basic ideas while putting the ...