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The guitar is a transposing instrument; that is, music for guitars is notated one octave higher than the true pitch.This is to reduce the need for ledger lines in music written for the instrument, and thus simplify the reading of notes when playing the guitar.
English: 1The new standard tuning of Robert Fripp and his Guitar Craft (Guitar Circle)—also called C-major pentatonic tuning or Guitar Craft tuning ("Crafty" tuning). The diagrams provide basic chords for a beginning guitarist. With the accompanying audio files (especially the WAV file), the chords sample the harmonic palette of new standard ...
The Drop C variation of this tuning (C-C-G-C-F-A-D) was used by James Hetfield on an ESP 7-String Guitar when Metallica were recording the song "Some Kind Of Monster" from the album St. Anger. Drop A 7-string tuning – A'-E-A-d-g-b-e' This is the standard seven-string tuning with the low B string dropped to A. Standard Choro tuning – C-E-A-d ...
Low C6 tuning either: G-A-C-E-G-A-C-E. F-A-C-E-G-A-C-E. On a ten-string neck, typical of pedal steel guitars, a popular C6 tuning is C-F-A-C-E-G-A-C-E-G, adding two bass strings to the high eight-string tuning, or one string on either side of the F-bass low tuning. This is sometimes called the "Texas tuning". [1] Another frequent variant is the ...
The left-handed involute of a left-handed involute is the original right-handed tuning. The left-handed version of the trivial tuning C–C–C–C–C–C is also C–C–C–C–C–C. Among non-trivial tunings, only the class of augmented-fourths tunings is fixed under the lefty involution. [21] [22]
C tuning. C tuning is a type of guitar tuning. The strings of the guitar are tuned two whole steps lower than standard tuning. The resulting notes can be described most commonly as C-F-A♯-D♯-G-C or C-F-B♭-E♭-G-C. This is not to be confused with C ♯ tuning, which is one and one half steps lower than standard tuning.
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A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).