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According to Mills, social scientists must study social structure, using the sociological imagination, to understand the state of freedom in this epoch. Mills concludes this section of The Sociological Imagination with a call to social scientists: it is the promise of the social sciences to analyze the individual's troubles and society's issues ...
Using the sociological imagination to analyze feature films is somewhat important to the average sociological standpoint, but more important is the fact that this process develops and strengthens the sociological imagination as a tool for understanding. Sociology and filmmaking go hand-in-hand because of the potential for viewers to react ...
Grand theory is a term coined by the American sociologist C. Wright Mills in The Sociological Imagination [1] to refer to the form of highly abstract theorizing in which the formal organization and arrangement of concepts takes priority over understanding the social reality. In his view, grand theory is more or less separate from concrete ...
The Sociological Imagination (1959), which is considered Mills's most influential book, [d] describes a mindset for studying sociology, the sociological imagination, that stresses being able to connect individual experiences and societal relationships. The three components that form the sociological imagination are history, biography, and ...
In that sense, the imaginary is not necessarily "real" as it is an imagined concept contingent on the imagination of a particular social subject. Nevertheless, there remains some debate among those who use the term (or its associated terms, such as imaginaire ) as to the ontological status of the imaginary.
The Power Elite is a 1956 book by sociologist C. Wright Mills, in which Mills calls attention to the interwoven interests of the leaders of the military, corporate, and political elements of the American society and suggests that the ordinary citizen in modern times is a relatively powerless subject of manipulation by those three entities.
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The sociological canon of classics with Durkheim and Max Weber at the top owes its existence in part to Talcott Parsons, who is largely credited with introducing both to American audiences. [50] Parsons consolidated the sociological tradition and set the agenda for American sociology at the point of its fastest disciplinary growth.