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Tiki marries her and their daughter is Hine-kau-ataata. [1]: 151–152 [b] In some traditions, Tiki is the penis of Tāne. [2] [3]: 510–511 In fact, Tiki is strongly associated with the origin of the reproductive act. [c] In one story of Tiki among the many variants, Tiki was lonely and craved company.
Tiki is the first human in Māori mythology, and also a wooden image of him. [14]The word "tiki" was used to describe the style of the tropical islands of the South Pacific starting in the late 1930s, a usage that is "unknown to the languages of the Pacific."
Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
Chinese symbols and motifs are more than decorative designs as they also hold symbolic but hidden meanings which have been used and understood by the Chinese people for thousand of years; they often influenced by nature, which include the fauna, the flora, landscape, and clouds.
Kwakwaka'wakw totem pole carvers such as Charlie James, Mungo Martin, Ellen Neel, and Willie Seaweed kept the art alive and also carved masks, furniture, bentwood boxes, and jewelry. Haida carvers include Charles Edenshaw, Bill Reid, and Robert Davidson.
The four abstract painted aluminum totem poles each measure 30 feet (9.1 m), 1.75 inches (4.4 cm) x 40 inches (100 cm) x 42 inches (110 cm) and cover Portland Streetcar catenary poles (poles supporting trolley wires). [1] [2] According to Scharf, "These four Tiki Totem monikers are a fantasy come true. To realize something of this magnitude is ...
Those rotating red, white, and blue poles outside barbershops have become an icon. But the reality is pretty gruesome. Barbers have been cutting hair for centuries, but they used to have a longer ...
A sotdae (Korean pronunciation:) is a tall wooden pole or stone pillar with a carved bird on its top, built for the purpose of folk belief in Korea. [1] [2] [3] Like jangseung, wooden totem poles with a sculpted human face, it was usually erected near the entrance of a village to ward off evil spirits as well as to represent villagers' wishes for prosperity and well-being.