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Andrew "Blueblood" McMahon (April 12, 1926 – February 17, 1984) was an American Chicago blues bass guitarist, singer and songwriter. [1] McMahon played bass guitar in Howlin' Wolf's backing ensemble for over a decade. He also backed a number of other Chicago-based blues musicians on record. [1]
Willie Norman Sinegal (or Bill Sinigal; May 13, 1928 – April 14, 2014, New Orleans, Louisiana [1]) was an American rhythm and blues bass guitarist and songwriter from New Orleans. He is best known for his song Second Line. Sinegal played tenor saxophone and C melody saxophone. He studied double bass at the Grunewald School of Music.
Lisa Mann is an American electric blues bassist, songwriter and singer. [1] Her influences include Etta James, Koko Taylor, Bonnie Raitt, Sheryl Crow, and Little Milton.She writes most of her material, and has released four albums to date. [2]
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This list of double bassists in popular music includes double bass performers from a range of genres, including rockabilly, psychobilly, country, blues, folk, bluegrass, and other styles. In these styles, the instrument is often referred to as an upright bass or a standup bass.
Nathan East plays a Yamaha SLB200 Silent Upright Bass with Fourplay at Knight Theater in Charlotte, North Carolina, on June 8, 2014. With Yamaha, East developed a custom 5-string bass guitar signature model, the BBNE (modeled after his early 1980s BB5000 5-string bass). The second signature bass, the BBNE2, was released in 2001. A limited ...
Since the 1950s, the electric bass guitar has largely replaced the double bass in popular music. Bass guitarists provide the low-pitched basslines and bass runs in many different styles of music ranging from rock and metal to blues and jazz. Bassists also use the bass guitar as a soloing instrument in jazz, fusion, Latin, funk, and in some rock ...
Eight-bar blues progressions have more variations than the more rigidly defined twelve bar format. The move to the IV chord usually happens at bar 3 (as opposed to 5 in twelve bar); however, "the I chord moving to the V chord right away, in the second measure, is a characteristic of the eight-bar blues."
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