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In 2016, London art dealer James Mayor filed a lawsuit against Arne Glimcher and the Agnes Martin catalog raisonné committee, arguing that they had hurt the value of 13 works of Martin he sold after they decided not to include them in their catalog. [35] The New York Supreme Court dismissed the lawsuit in 2018. [35]
Agnes Bernice Martin RCA (March 22, 1912 – December 16, 2004) was an American abstract painter known for her minimalist style and abstract expressionism. [1] [2] Born in Canada, she moved to the United States in 1931, where she pursued higher education and became a U.S. citizen in 1950.
[2] A catalogue raisonné is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work.
Agnes Martin (1912–2004), painter; Eugene J. Martin (1938–2005), painter; Enrique Martinez Celaya (1964), painter and sculptor; Gordon Matta-Clark (1943–1978), conceptual artist; Amanda Matthews (born 1968), sculptor, painter, public art; Paul McCarthy (born 1945), performance and installation artist; Allan McCollum (born 1944), sculptor ...
1972 – Agnes Martin's portfolio of 30 screenprints entitled On a Clear Day was published in an edition of 14 by Parasol Press, Ltd. [104] [105] 1973 – Simca Print Artists , a press led by Hiroshi Kawanishi, began working with Jasper Johns on Flags , [ 106 ] employing thirty one screens to achieve the density and texture suited to the multi ...
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Prizewinners of the 47th Biennale included: Agnes Martin and Emilio Vedova (lifetime achievement), the French pavilion (best national participation), Marina Abramović and Gerhard Richter (International Prize), and Douglas Gordon, Pipilotti Rist, and Rachel Whiteread (best young artists).
Agnes Martin's film is about water, about countryside, flowers, nature, and mystery.' [24] The art critic Rosalind Krauss wrote about the film in her essay for the catalogue of the 1993 retrospective of Agnes Martin’s work (at the Whitney Museum of American Art , New York).