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Chinese mythology holds that the Jade Emperor was charged with running of the three realms: heaven, hell, and the realm of the living. The Jade Emperor adjudicated and meted out rewards and remedies to saints, the living, and the deceased according to a merit system loosely called the Jade Principles Golden Script (玉律金篇, Yù lǜ jīn piān
Kuroneko no Tango" (Japanese: 黒ネコのタンゴ "Black Cat Tango"; [1] originally Italian: Volevo un gatto nero "I wanted a black cat") is a tango song recorded in 1969 by young children in Italy and Japan. The original Italian version came last in the Zecchino d'Oro competition on 11 March 1969.
Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion (Yang et al 2005, 4). Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which presents a more mythological version (Yang et al 2005, 12–13).
The Chinese idea of the universal God is expressed in different ways. There are many names of God from the different sources of Chinese tradition. [17] The radical Chinese terms for the universal God are Tian (天) and Shangdi (上帝, "Highest Deity") or simply, Dì (帝, "Deity"). [18] [19] There is also the concept of Tàidì (太帝, "Great ...
Chinese folklore contains many symbolic folk meanings for the objects and animals within the folktales. One example of this is the symbolic meaning behind frogs and toads. Toads are named Ch'an Chu (蟾蜍) in Chinese, a folklore about Ch'an Chu illustrates the toad imports the implication of eternal life and perpetual. Chinese folklore unfolds ...
In the late 1980s he played the first Chinese rock song called: "Nothing To My Name" ("Yi wu suo you"). It was the first time an electric guitar was used in China. [ citation needed ] He became the most famous performer of the time, and by 1988 he performed at a concert broadcast worldwide in conjunction with the Seoul Summer Olympic Games . [ 21 ]
The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...
Songs from the Chinese is a song cycle for soprano or tenor and guitar composed in 1957 by Benjamin Britten (1913–76), and published as his Op. 58. It consists of settings of six poems translated from the original Chinese by Arthur Waley (1889–1966).