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A strain is often referred to as a "section" of a musical piece. Often, a strain is repeated for the sake of instilling the melody clearly. This is so in ragtime and marches. The Oxford English Dictionary lists this use of "strain" (n.2, III, 12) as part of the same noun more often used to denote an extreme of effort or pressure. OED derives it ...
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
On a stress vs. strain curve, there is a linear region where stress and strain are related called Young's modulus. A newer set of strings will often be in a region on the stress vs. strain curve past the Young's modulus called the plastic region. In the plastic region, plastic deformation occurs—deformation the material cannot recover from.
A second theme (or B strain). A repeat of the B strain. A restatement of the A strain. It concludes with a pair of 16-bar themes in the subdominant key (the key with one additional flat, or one less sharp), commonly called the trio, in the following sequence: A third theme (or C strain). A repeat of the C strain. A fourth theme (or D strain).
The second strain may use somewhat different instrumentation or may alter the relative dynamics of the different parts. The melody is normally played with the basses, i.e., the low brass and low woodwinds). This strain typically uses 4-measure phrases, but with greatly varied motifs, which causes the melodies to sound more "stretched out".
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Shout-and-fall or tumbling strain is a modal frame, "very common in Afro-American-derived styles" and featured in songs such as "Shake, Rattle and Roll" and "My Generation". [ 6 ] "Gesturally, it suggests 'affective outpouring', 'self-offering of the body', 'emptying and relaxation'."